Category Archives: Instrument and Piano

Instrument and Piano, New Composition News

Violin Concertino: Summer Stories (2009)

for violin and piano
duration: approx. 15 minutes

three movements, each of which may be performed separately

Faber Music publishing details

Audio

None yet.

 

Programme Notes

Summer is my favorite season of the year. In Australia everyone is more relaxed in summer: taking time out, going on holidays and enjoying outdoor activities.

Each of the movements of this piece is inspired by an aspect of summer in this country. The first movement, Moderato, is based upon the long, flat roads of inland Australia. Travelling down these roads in a car, the outside heat bakes the bitumen and the wider landscape, producing a shimmering effect. It is symptomatic of a country which has existed for millions of years, and which will exist for millions more, long past humankind.

The second movement, Molto Andante, is also inspired heat by the image of an elderly person reminiscing on their verandah at a summer day’s end, remembering friends and relatives long passed away.

Fun at the beach is a typical aspect of summer in Australia enjoyed by millions of people every year. The playful mood of the final movement, Vivace Giocoso, was written with this in mind.

Violin Concertino was commissioned by Michael Patterson and Ars Musica Australis.

notes by Matthew Hindson, 2009.

CD Recording Available?

    Not currently available.
    The violin part in this work is deliberately written to be playable by violinists of between a Grade 7 and A.Mus.A Australian Music Examinations Board (AMEB) standard. It is a suitable work for performance for HSC or Year 12 music examinations.
Instrument and Piano

Maralinga (2009)

for violin and piano
duration: approx. 11 minutes

Faber Music publishing details, also available in a version for violin and string orchestra

Audio

None yet available.

 

Programme Notes

The Australian aboriginal word Maralinga may sound quite beautiful to people outside of Australia, but to Australians its connotations are much more sinister.

In the early 1950s, the nuclear arms race was underway amongst the major nations of the world. Great Britain wanted to test its recently acquired nuclear weapons, and Australia in the 1950s was a place that still regarded Britain as “home” (particularly the Australian Prime Minister, Sir Robert Menzies). Consequently secret nuclear testing was conducted in the South Australian desert, at Maralinga and Emu Creek between 1953-1963.

Tests included some very nasty experiments with kilograms of plutonium which subsequently contaminated the test site. Unfortunately, according to a subsequent Royal Commission into the tests, it seems that the welfare of the aboriginal inhabitants and the Australian service personnel at the test sites was never taken into account. Australian military personnel were used as unwitting guinea pigs into the effects of radiation from these experiments.

Maralinga was officially cleaned up by the year 2000, but the site and its history remains a stain upon Australia’s historical record. This piece makes reference to the long Aboriginal history at Maralinga as well as more recent events and attitudes.

Maralinga was commissioned by the Wolf Trap Foundation for the Performing Arts, for premiere by Lara St. John (violin) on 20 March 2009.

notes by Matthew Hindson, 20009.

CD Recording Available?

    Not currently available.
Catalogue of Works, Instrument and Piano

Ignition Positive (1998)

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for trumpet in C and piano

duration: 5 minutes

Faber Music publishing details, also available in version for alto saxophone and piano

Audio Excerpt

Programme Notes

There are two ideas contained within the title of the piece – “ignition” refers to an image of colorful sparking lights that set varying processes (such as mechanical movement) in motion, and “positive” to the dominant character that pervades the piece.

This work utilizes aspects of the techno musical genre in terms of the rhythms and harmonies that are employed in certain sections.

notes by Matthew Hindson.

CD Recording Available?

 

This piece has been released on the disc Mixed Dozen, by Paul Goodchild (tpt) and David Miller (piano).

It is available through Kookaburra Music. A
review of the disc can be viewed here.

Other Information

Catalogue of Works, Instrument and Piano

Jungle Fever (1998)

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for cello and piano

duration: 6 minutes

Faber Music publishing details, also available in version for tenor saxophone and piano

Audio Excerpt

Not at present.

Programme Notes

The “Jungle” in Jungle Fever has two meanings – firstly a reference to ‘jungle’ music, a style of popular music style derived from the techno genre, and which was an initial inspiration on the piece. (However the end result has moved away significantly from this initial influence. The work is not a piece of jungle music).

The second reference concerns the ‘programme’ of the piece, which has to do with tropical diseases (i.e. also the “fever”), and the sense of repetitive delirium that I imagine sufferers would experience.

notes by Matthew Hindson.

CD Recording Available?

      The tenor sax and piano version of this piece is available on the disc entitled

Beat Me

      from

Reed Music

    .

Other Information

Catalogue of Works, Instrument and Piano

Love Serenade (1998)

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for bassoon and piano

also available for cello and piano

duration: 8 minutes

Faber Music publishing details, also available in version for cello and piano

Audio

cello and piano version, performed by Debra Leong and David Grisdale.

Programme Notes

Love Serenade was written with the intention of composing a very lyrical and impassioned work. It was first composed for the bassoon, and certainly there are not enough pieces for the bassoon that have that character.

The title does not refer to anyone in particular, but rather, to the overall lyrical content of the work.

notes by Matthew Hindson.

CD Recording Available?

        A recording of this piece is available on the

Matthew Hindson: String Music for Young Players

        CD/CD-ROM, a copy of which may be obtained by

contacting the composer

        .

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