Category Archives: Catalogue of Works

New works – The Metallic Violin, Funeral Windows

Two new compositions have recently been completed, both of which were commissioned by Ars Musica Australis.

Metallic ViolinFuneral Windows

The first new piece is entitled The Metallic Violin, and uses as its inspiration the manic, wild and over-the-top electric guitar solos commonly found in varieties of heavy metal music. Also I am making reference to the title of John Corigliano’s work The Red Violin, though in a very contrasting way! The Metallic Violin is for solo violin and lasts for about 8 minutes or so.

The second new piece is quite different to what would be considered my ‘typical’ music. It is called Funeral Windows and is written for solo basset clarinet, a larger clarinet that extends the range of the standard clarinet to a lower pitch. Mozart wrote his clarinet pieces for basset clarinet, and an increasing number of contemporary composers are now writing for it too. In Funeral Windows I imagine the thoughts, experiences and emotions of a passenger in a funeral car on their way between the funeral and burial services. It was composed for David Rowden, the amazing Sydney-based clarinettist.

I am also in the middle of composing a new work entitled Kulkadungu with William Barton. This will be premiered next year by the Sydney Symphony Orchestra.

“Heartland” performance

Heartland

This Saturday, 7 July, my work Heartland will be performed by the Sydney Philharmonia Choir at the Verbrugghen Hall, Sydney Conservatorium of Music. The conductor is Brett Weymark.

Written for massed choir and two pianos, Heartland explores various ideas of “home”. At the rehearsal on Wednesday it was sounding really good, with the choir suitably energetic and the pianists right on track. Interestingly, the Sydney Philharmonia are doing the original, “full” version of the piece before it was revised, and it was great to hear some musical material that was excised before the other previous performances of the work.

It is a fun piece (in my opinion), and leads me to wonder why some people believe notions of high art and fun are mutually exclusive.

New work: Video Game Dreaming

Update: Arranged for saxophone quartet

A new work has just been completed: Video Game Dreaming for clarinet quartet (1xEb, 2xBb, bass clarinets). It is a work in three movements with a duration of approximately 14 minutes. It was composed for the Clarity4 clarinet quartet, an excellent ensemble based in Canberra.
Distorted Video Game

Here are the programme notes.

i. Start Select Pause Reset

ii. Gamer’s Hypnagogia

iii. GameBoy Music

Video Game Dreaming is a work written in response to video games, their characteristics and their effects upon our everyday lives. For the past 30 years or so of my life I have been an avid player of video games, going right back to the advent of Pong and Space Invaders in the late 1970s through to the first-person shooter and real-time strategy games of the current day. To some people, video games are a waste of time, whereas for others, they are an intriguing, addictive form of relaxation and even social interaction.

This piece is in three movements. The first, “Start Select Pause Reset”, refers to the buttons found on the controllers of many video game consoles. Each of these buttons interrupts and alters the flow of the game in progress, just like the music in this movement is segmented and interrupted. The term “hypnagogia” refers to the state (and hallucinations) between waking and sleep, and provides the inspiration for the second movement. One problem with playing too many video games is the difficulty of sleeping afterwards, with images from the games constantly flooding your mind, uninvited. It is as if the game is still playing in one’s brain without conscious control. The final movement, “GameBoy Music”, takes as its starting point the idea of a malfunctioning video game, perhaps a hand-held game in which the batteries have gotten wet.

Works for high school examinations

Many of my works have been regularly performed for final year high school or university/college recitals. Often such recitals have strict requirements as to the length of the works that may be performed (this is currently the case with the HSC in NSW, the VCE in Victoria, as well as matriculation exams in other Australian states).

Click here to go to a list of works from my catalogue that may be suitable for such exams.